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Jon Silpayamanant – cellist, composer, multi-instrumentalist

โจนาทาน ศิลปยามานันท์ – นักเล่นเชลโลคีตกวีเครื่องดนตรีหลายชนิด

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Category: Uncategorized

By adminNovember 2, 20243 min read

The House of Bernarda Alba/La Casa de Bernarda Alba

Jon will be performing his live score to The House of Bernarda Alba/La Casa de […]

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By adminSeptember 15, 20241 min read

PHOTOS: Asian Night Market 2024

Some photos of Saw Peep’s performance at the Crane House’s Asian Night Market may be […]

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By adminSeptember 12, 20241 min read

More Global Cello rep

More upcoming 2024-2025 Global Cello concerts are works by Spanish composer and cellist Andrea Casarrubios […]

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By adminAugust 21, 20241 min read

PHOTOS: La Casa de Bernarda Alba (tech week)

Some photos from the final rehearsals of Federico García Lorca’s La casa de Bernarda Alba (“The […]

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By adminMay 29, 20241 min read

PHOTOS: AAPI Celebration – Louisville District US Army Corps of Engineers

Some photos of Tomas Apollo Bacala (Cultura Philippines) and Jon Silpayamanant (Saw Peep) from the […]

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Jon performing with sitarist Meena Khan Atif at Surface Noise's "International String Thing" festival in Louisville, KY.

Recent News

  • PHOTOS: Philippines Independence Day Celebration
  • Saw Peep at COLLIDER!
  • Asian & Asian American Performing Arts in Kentuckiana (AAAPAK)
  • PHOTOS: “Time to Listen”
  • PRESS: LEO piece about “Philippines Independence Day Celebration”
Jon performing music on gongs for Cultura Philippines's "Moro Dance" during Louisville's Asian Night Market on Fourth Street Live.
Some Global Cello rep announcements
Jon playing the Morin Khuur with Saw Peep as they perform Byambasuren Sharov's "Sersen Tal" (1984) at WUOL's "New Lens" concert series at the 21C Museum, Louisville, KY.
ARTICLE: “High” and “low” pitch are not universal; sometimes there are crocodiles
Jon performing with Saw Peep Pan-Asian Ensemble at the MoonDance Amphitheater in Lexington, KY.
Orchestres anti-coloniaux : une réponse culturelle à l’impérialisme de la musique classique occidentale
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